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In Search of a President

Louis TalbotWith the 1940 dismissal of Dr. J. Oliver Buswell from the presidency of Wheaton College, word spread quickly among conservative Christians that this rather important post was suddenly vacant. Shortly after Buswell’s departure, Dr. Louis Talbot, pastor of The Church of the Open Door in Los Angeles (founded by R.A. Torrey), received a wholly unexpected telegram from Wheaton College offering him its presidency. Excited about the possibility of leading the institution that had granted him an honorary doctorate in 1935, Talbot discussed the enticing prospect with trusted associates, including a bosom pal from Philadelphia.

As they chatted, Talbot’s friend realized that something was askew, so he asked about the city from which the message originated. Confirming suspicions, the telegram was sent from Canada, not Illinois. At that point both men realized that this was probably the plot of a mutual friend, Jim McGinley, a Canadian pastor known for hatching practical jokes. Turning the tables, Talbot phoned McGinley and announced that he had indeed chosen to accept Wheaton’s invitation, and would that very Sunday resign from his position as pastor. McGinley, horrified that the prank had gone too far, desperately tried convincing Talbot to please, please reconsider this hasty decision. But Talbot ignored Louis Talbothim and moved ahead, to the point of standing in the pulpit before his congregation, leaning dramatically into the microphone…only to announce matters entirely unrelated to resignation. Abashed but relieved, McGinley got the point.

Originally from Australia, Talbot graduated from Moody Bible Institute in 1913, and from 1915-17 served as pastor of Calvary Memorial Church in Oak Park, Illinois. His biography, For This I Was Born, appeared in 1977.

Talbot served as Biola’s second (1932-1935) and fourth president (1938-1952). Dr. J. Richard Chase, sixth president of Biola (Bible Institute of Los Angeles), founded by Lyman Stewart and T.C. Horton on February 25, 1908, assumed the office (for real) as the sixth president of Wheaton College in 1982.

Run Your Home Into The Ground!

How to run your home into the ground

This evocative booklet was written by retired Wheaton College Chaplain, LeRoy “Pat” Patterson ’40. Penned in 1975 during the rise of the feminist movement, Patterson reflects on his 33 year marriage to his high school sweetheart and raising of three “fairly normal” children to highlight ten sure-fire ways to run your home into the ground.

  1. Let them know who is boss
  2. Never admit a mistake
  3. Throw the book at them
  4. Hold up the superior virtues of others
  5. Let them know what a martyr you are
  6. Never express affection outwardly
  7. Don’t spoil them with thanks
  8. Teach them to do as you say
  9. Children should be seen, not heard
  10. Religion is for women and children

At the conclusion of his tongue-in-cheek pamphlet, Patterson quotes from select passages from J.B. Phillips’ paraphrase of the New Testament.

“Husbands, love your wives, and be not bitter against them…Men ought to give their wives the love they naturally have for their own bodies. The love a man gives his wife is the extending of his love for himself to enfold her…let everyone of you who is a husband love his wife as her loves himself.”

Millions Served…

George MacDonaldGeorge MacDonald (1824-1905) was one of the most prolific and original of the Victorian novelists, composing a stunning array of novels, poetry and fairy tales, all laced with his singular Christian mysticism. C.S. Lewis regarded MacDonald as his “master,” declaring, “I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself.” G.K. Chesterton cites MacDonald’s The Princess and the Goblin as a work that had “made a difference in my whole existence.” With Lewis, Chesterton and four other British authors, MacDonald’s life and work is featured in the Wade Center on the campus of Wheaton College. But he also figures in the spiritual development of three authors whose papers are collected in Special Collections, a separate archive from the Wade but also located at Wheaton.

As a lonely child in New York City, novelist Madeleine L’Engle (SC-03) discovered the novels of MacDonald. She read them first for the story, then for the theology, responding with heartfelt sympathy to his emphasis on God’s love. In an essay titled “Nourishment for a Private World,” she declares, “Meeting George MacDonald’s writing when I was very young was a blessing to my understanding of God and creation and our own small but potentially beautiful place in it.”Oswald Chambers

Another keen admirer of the mystic Scot was Oswald Chambers (SC-122), who copied into his diary extensive passages from MacDonald’s books, not distinguishing George’s words from his own. After Chambers’s death, his widow, Biddy, prepared the notes for publication, not realizing that much of the material, so provocative and eloquent, may not have been original to Oswald.

MacDonald’s touch is also seen in a rather unexpected corner of the literary world. Visiting the Ernest Hemingway Museum in Oak Park, Illinois, you will see a display featuring a MacDonald poem called “Baby.” The poem meant much to the Hemingway family, and its pious sentiments surrounded the dedication of baby Ernest to a long, productive Christian life – which, sadly, did not occur. Ernest’s father, Anson (SC-209), attended Wheaton College, and was a friend of Jonathan Blanchard.

WHERE did you come from baby dear?
Out of the everywhere into here.
Where did you get those eyes so blue?
Out of the sky as I came through.

What makes the light in them sparkle and spin?
Some of the starry spikes left in.
Where did you get that little tear?
I found it waiting when I got here.

What makes your forehead so smooth and high?
A soft hand stroked it as I went by.
What makes your cheek like a warm white rose?
I saw something better than any one knows.

Whence that three-cornered smile of bliss?
Three angels gave me at once a kiss.
Where did you get this pearly ear?
God spoke, and it came out to hear.

Where did you get those arms and hands?
Love made itself into bonds and bands.
Feet, whence did you come, you darling things?
From the same box as the cherub’s wings.

How did they all just come to be you?
God thought about me, and so I grew.
But how did you come to us, you dear?
God thought about you, and so I am here.

Without doubt, through direct and indirect influence, MacDonald’s writings have influenced millions hungry for a taste of God’s tender mercies.

The Chrysostom Society

Artists often create in solitude, so it is not uncommon for these lonely souls to seek the company of other creative minds for encouragement, comfort and inspiration. For instance, author and lexicographer Samuel Johnson, portraitist Joshua Reynolds, historian Edward Gibbon, novelist Oliver Goldsmith and other 18th Century literary elite comprised “The Club,” assembling regularly for spirits and spirited conversation in London salons. Similarly in the 1930s, the “Inklings” of Oxford, England, gathered in a cozy pub where, amid swirling pipe smoke and raucous laughter, scholars such as J.R.R. Tolkien, C.S. Lewis and Charles Williams read their as-yet unpublished works, welcoming constructive scrutiny.

John ChrysostomThe tradition, now evangelically flavored, continues with “The Chrysostom Society,” named after the “golden-mouthed” third-century Church Father, reflecting his respect for words rightly used. Initially conceived as a Christian artists’ guild, the small collection of writers soon shifted emphasis, providing a wider arena for imaginative expression, expanding as it attracted interest. As Bible translator Eugene Peterson explains, “They felt it was really important to just get together, write together, and believe in each other as practitioners of a craft to the glory of God.”

Meeting informally at a rural retreat for four days annually, membership, though varying, caps at twenty. Organized in its early stages by Richard Foster, the Chrysostom Society’s roster includes Larry Woiwode, Calvin Miller, Eugene Peterson, Robert Siegel, Madeleine L’Engle, Stephen Lawhead, Harold Fickett, Diane Glancy, Jeanne Murray Walker, Phil Keaggy, Karen Mains and Gregory Wolfe. In addition to enjoying the refreshing pleasures of personal camaraderie, the Society occasionally collaborates on a manuscript. Their first work, Carnage at Christhaven (1989), is a comedic mystery based on a unique concept devised by the Detection Club of London, a coterie of crime novelists such as G.K. Chesteron, Agatha Christie, John Dickson Carr and others. For the Club’s corporate novel, The Floating Admiral (1931), participants each contributed a chapter, round-robin style.

Reality and the VisionUsing this method for other publications, the Society then produced Once Upon a Christmas, a slim volume graced with colorful illustrations, assembling thoughtful seasonal memories interspersed with poems by Luci Shaw. In Reality and the Vision (1990), edited by Philip Yancey, the Society reflects on writers who influenced their own visions of the human condition: Walter Wangerin on Hans Christian Anderson; Larry Woiwode on Leo Tolstoy; John Leax on Thomas Merton, etc. The Swifty Tilting Worlds of Madeleine L’Engle (1998), edited by Luci Shaw, collects essays from members and other friends celebrating the 80th birthday of the beloved novelist. Among the Chrysostom Society, Wheaton College Special Collections possesses the papers of Luci Shaw, Madeleine L’Engle, Calvin Miller, Karen and David Mains and Robert Siegel.

Do Not Pass Go…

Monopoli

Wheaton College Monopoli was created in 1972 by the Kodon and Tower editors, Tim Neumann ’73 and Dan Varisco ’73. These two senior roommates who controlled most of the college printing power decided to collaborate their creative energies and produce a parody of the original Monopoly board game. According to Neumann the game was revised to reflect Wheaton’s spiritual heritage.

“Go to Jail” became “Go to Hell,” “Free Parking” became “Wages of Sin,” “Chance” cards became “Predestination” cards and “Community Chest” became “Abraham’s Bosom.” HUD MoneyPresident Hudson Armerding’s portrait appeared on the play money in the form of HUD bucks and Christian-controlled properties circled the board. The cheapest property, Mediterranean Avenue, was replaced by Bob Jones University, Water Works became “Water into Wine Works,” and North Carolina Avenue became Billy Graham National Monument in tribute to the famous alum’s home state.

In lieu of the customary literary magazine, a Monopoli game was produced for every student on campus.

Monopoli Cards

Although board games in general were never banned at Wheaton, President Armerding instructed that all copies of this game be destroyed due to threat of legal action from Parker Brothers. Parker Brothers has fought hard to retain the rights and trademark to Monopoly and has seen their efforts come to nought and be reversed several times, ultimately lobbying for a change to U.S. Trademark Laws to retain control of the brand. Decades later, this copy of the game surfaced from a retired member of the college’s administration.

Train of Thought

Chicago Transit AuthorityMany artists admit that motion stimulates creativity. A somewhat surprising source of imaginative inspiration is the Chicago Transit Authority (CTA). For many years it proved to be a dark but generous muse for Chester Gould, creator of the Dick Tracy comic strip. Each weekday Gould rode the train from his home in Woodstock, Illinois, to downtown Chicago where his office in Tribune Tower was located. Known for devising spectacularly nasty opposition for his square-peg hero, Gould frequently modeled his villains on the physical characteristics of the passengers sitting near him. One of his best-remembered baddies, Pruneface, was patterned after a horrifically scarred WWII vet. Other notorious mugs from Tracy’s Rogue’s Gallery were Flattop, Mrs. Prunface, the Brow, Pear Shape, the Mole and Little Face Finny.

Another proud graduate of the “CTA School of Artistic Expression” is Vinita Hampton Wright. Working as an editor at a Christian publishing house, Wright daily rode the train from her home in southside Hyde Park to suburban Wheaton. Already busy with various projects, she decided to use the travel time to finish her novel, Grace at Bender Springs (1999). After politely asking her usual commuting companions to ignore her as she concentrated, she opened her laptop and typed for the duration of the trip. When the book was published, she gave them free copies.

Metra CarReversing Wright’s trajectory was Dr. Ken Taylor. In the early 1960s Taylor rode the CTA from his Wheaton home into Chicago, where he served as Editorial Director of Moody Press. Desiring to produce a paraphrased Bible that appealed to young, modern eyes, Taylor, now concentrating on the Pauline epistles, set about performing his task during the morning journey. He writes: “…I sat with a Bible on one knee and a writing pad on the other. I tried to keep everything balanced and not let it fall over on my seatmate as he perused the morning paper.” And so, “…as the swaying train bumped along over the tracks,” he eventually completed The Living Bible, providing the foundational publication for the successful Tyndale House Publishers, international distributors of books, Bibles and videos.

Haze-y Days of Wheaton

DinksAccording to the Oxford English Dictionary, Hazing is “a species of brutal horseplay practiced on freshmen at some American Colleges.” For nearly thirty years from the Pre-WWII era until the 1960’s, Wheaton College was no exception to this tradition. The rivalry between the incoming freshman and sophomore classes arose from parties thrown in the 1920’s to actually honor the freshman by the sophomores. In 1933 the Student Council approved “organized torture for the incoming classes.” The sophomore class would elect people to the “sophomore courts” which had the authority to summon freshman who were not following the rules. Punishment for failing to obey the regulations was originally twenty swats with a bare hand. However, as time went on, these punishments became less severe. Any freshman who did not participate in the system lost their privilege to be involved with class activities.

According to Freshman Hazing Rules listed in the Fall 1941 Record:

1. Dinks must be worn at all times except on Sunday and Friday evenings after 6:30 p.m.
2. Badges sold by the sophomore class must be worn at all times except Sunday and Friday evenings.
3. The following walks must not be used by freshman: between Williston and the Gym; between Williston and Blanchard; between Blanchard and the Gym; and the back entrance to the Stupe.
4. Keep off all grass on the entire campus.
5. At command “ATTENTION” given by a sophomore, the response is to simultaneously button with one hand and salute with the other and click the heels.
6. At command “BLITZKRIEG,” a white handkerchief knotted at each end, must be thrown in the air and caught on the head.
7. On Wednesdays, carry books in wastepaper basket. Boys will also carry whisk brooms and cloths to perform valet services for any upper classmen.
8. On Thursdays, both boys and girls must wear all clothes backwards, including dress shirts worn by boys. Walk backwards on campus. Girls’ hair must be in pigtails.
9. On Fridays, girls must wear one dress shoe with sock and one saddle shoe with stocking. Boys must wear clothes inside out, with one pant leg rolled to the knee.
10. On Saturdays, girls wear hair in curlers and war dresses and boys wear bow ties with crew neck shirts.

Carl Sandburg

Carl Sandburg (1878-1967), Illinois poet laureate, collector of songs and Pulitzer Prize-winning Lincoln biographer, resided in Elmhurst, Illinois, from 1919-30, writing for several Windy City newspapers, notably the legendary Chicago Daily News. After three productive, happy decades living in Illinois and Michigan, he moved in 1945 with his family to North Carolina where his wife, Paula, raised award-winning goats on their farm, “Connemara.” There he continued writing poetry and his one novel, Remembrance Rock, in addition to traveling the country, playing his guitar and singing American ballads. Renowned as both felicitious wordsmith and exhaustive researcher, he was hired by 20th Century Fox in 1961 to work on the script for director George Stevens’s biblical epic, The Greatest Story Ever Told. (Stevens also directed The Diary of Ann Frank.) The film, released in 1965, features Max von Sydow, Angela Lansbury, Shelly Winters, John Wayne, Roddy McDowell, Charlton Heston, Donald Pleasence, Sidney Poitier and Telly Savalas – truly an “all star cast.”

Sandburg letterWhile in Hollywood, Sandburg received an inquiry from a Mr. Wood, who evidently asked about the author’s relationship to Wheaton College. Typing on a sheet of “George Stevens Productions” letterhead, Sandburg responds on May 10, 1962: “Dear Mr. Wood: Along late in the coming autumn my schedule for 1962 will be in the making. When residing in Elmhurst I rode all around Wheaton on a bicycle and have an old neighborly feeling about Wheaton College. Sincerely, Carl Sandburg.”

Though Sandburg receives screen credit for “creative association,” his exact contribution to the project is not fully known. He received the job on the recommendation of Ray Bradbury, who declined the studio’s request that he write the script. Sandburg, born in Galesburg, Illinois, where Wheaton’s first president, Jonathan Blanchard, also served as president of Knox College, wrote in his autobiography, Always the Young Stranger, a rather unflattering portrait of the ever-crusading Blanchard, describing him as “…not one bigot but several.” He felt that Blanchard’s influence, which wasn’t cast in any positive sense, was present for decades after his departure, so much so that one could almost “catch the ghost of him.” To Sandburg Blanchard was the amalgam of a lion, bear and buffalo, and possibly half horse and half alligator!

Sandburg died in 1967. His ashes are interred beneath a boulder called “Remembrance Rock” in the backyard of his childhood home in Galesburg.

Josh McDowell

Josh McDowellIn 1960 a young man named Joslin “Josh” David McDowell transferred to Wheaton College from Kellogg, a community college in Michigan. His pastor had recommended the move. “Wheaton?” asked Josh. “Where’s that, Maryland?” Josh adjusted to Wheaton with some difficulty, his time fully occupied with studies or his house painting job. Advised by his pastor to gravitate toward the more pious students for fellowship, Josh did so, developing solid friendships with godly classmates, all eager to seek God’s face. One day as he waited at a crossing gate near campus, he noticed a car speeding up behind him. To his horror, the car – driven by a drunk – did not stop and barreled into him, pushing Josh’s vehicle onto the tracks at 45 mph. Fortunately Josh missed the path of the train. Though there was no visible injury, a sore neck indicated internal damage. Admitted to the college infirmary where he was confined to a cast and traction, he received a friendly visit from V. Raymond Edman, who stayed for two hours, praying with Josh. He later received a visit from Rev. Torrey Johnson, then-pastor of First Evangelical Free Church and founder (with Billy Graham) of Youth for Christ, who encouraged him in his desire to preach. After recovering, Josh and two friends met a visiting speaker named Bill Bright, founder of Campus Crusade for Christ. Joining the famous evangelist for coffee in the Stupe, Bright drew for them three circles with three thrones, each representing the kinds of people in the world, and who sits on their thrones: 1) the self-controlled unbeliever 2) the Christ-controlled Christian and 3) the carnal Christian. Josh then realized that he must endeavor to place Christ on the throne of his life. At that instant he entered a reinvigorated phase of evangelistic zeal, though he was still resistant to fully surrendering his life for service. Challenged by a “Spiritual Emphasis Week” message from Dr. Richard Halverson, Josh moved yet further toward yielding his will to Christ. That night, after late-night coffee at the Round the Clock cafe in downtown Wheaton, he walked Union Street in the cool, early hours of the morning, prayerfully struggling with the undeniable fact that God was beckoning, overwhelming Josh’s ambitions, calling him to a higher plane. Evidence that demand a verdictBut it was not until he discovered Bright’s “Four Spiritual Laws” among his notebooks that he discerned a distinct purpose and direction for his ministry; and so he finally committed to the Spirit-filled life. This provided the basis for his public ministry, wherein he would engage unbelievers through apologetic debates and exhort weak or undecided believers to pursue the same dynamic empowerment that had revolutionized his own life.

After Wheaton Josh attended Talbot Theological Seminary, graduating Magna Cum Laude with a Master of Divinity degree. In 1964 he joined the staff of Campus Crusade, preaching to thousands of students the world over; and in 1991 he founded Operation Carelift (now called Global Aid Network), one of the largest humanitarian aid organizations in the U.S. Among the 108 books he has authored or co-authored are Evidence that Demands a Verdict (1979), More than a Carpenter (1977) and The Last Christian Generation (2006). Still lecturing, he currently serves as president of Josh McDowell Ministries. His story, up to 1981, is told in Joe Musser’s Josh: The Excitement of the Unexpected.

Jesus Freaks

Jesus PeopleThe late 1960s and early 70s were years of tremendous ideological upheaval in the United States, not only in secular culture but also within the church. Christian youth, frustrated with staid worship and lifeless routine, longed for energetic, artistic expression. The Jesus Freaks were not seeking new content for their faith, but instead desired a re-packaging of traditional messages with brighter, hipper wrappings. An example is Larry Norman’s widely-popular song, I Wish We’d All Been Ready, its lyrics lamenting the absence of the unsaved in Heaven after the Rapture of 1 Thess. 4:16-17, the instantaneous “catching away” of Earth’s Christian population immediately preceding the worldwide Tribulation. Norman sets to music doctrines advanced in Hal Lindsey’s best-seller The Late Great Planet Earth (1970), which attempts to succinctly outline biblical end-time events from a premillennial perspective. Another influential text of this time-period is Kenneth Taylor’s Living Bible, a paraphrasing of the scriptures in modern idiom. Jesus PeopleIn his autobiography, My Life: A Guided Tour, Taylor expresses satisfaction that his work spoke to this audience: “These were the early days of the Jesus People Movement and, concurrently, the charismatic movement. One leader of the charismatics gave me his opinion that Living Psalms was one of the chief sources of nurture within the movement…This youth rebellion took some destructive and damaging forms, but at the same time it produced a sort of counterrevolution…Suddenly great numbers of young people in their late teens and twenties were turning to Christ for the answers they were so sincerely seeking…[They] were a receptive target for the fresh, up-to-date vocabulary and contemporary style of the Living version of the Bible.”

Recently an individual wrote to the Special Collections with appreciation for the influence of the Living Bible: “As a high schooler from 1970 to 1974, [Ken Taylor’s] Reach Out version of the Living Bible made a big difference in a lot of the young people of that era, me included. [H]is dedication to having the Bible in an easy to read format was so novel, so new, that it seems hard to believe now in the 21st century! So praise be to our Lord for using Mr. Taylor to bring the Good News to so many young, impressionable people who are now aging ‘young adults’!”